{"id":41905,"date":"2025-10-02T14:56:06","date_gmt":"2025-10-02T09:26:06","guid":{"rendered":"https:\/\/dailynewsindia.co.in\/index.php\/2025\/10\/02\/kantara-chapter-1-a-majestic-return-with-legends-but-shadows-lurk-behind-the-light\/"},"modified":"2025-10-02T14:56:06","modified_gmt":"2025-10-02T09:26:06","slug":"kantara-chapter-1-a-majestic-return-with-legends-but-shadows-lurk-behind-the-light","status":"publish","type":"post","link":"https:\/\/dailynewsindia.co.in\/index.php\/2025\/10\/02\/kantara-chapter-1-a-majestic-return-with-legends-but-shadows-lurk-behind-the-light\/","title":{"rendered":"\u2018Kantara: Chapter 1\u2019 \u2014 A Majestic Return with Legends, but Shadows Lurk Behind the Light"},"content":{"rendered":"<div>\n<p data-start=\"101\" data-end=\"527\"><strong>Mumbai (Maharashtra) [India], October 2: <\/strong>Sometimes cinema doesn\u2019t just open; it breathes. <a href=\"https:\/\/www.thehindu.com\/entertainment\/movies\/kantara-chapter-1-movie-review-kantara-rishab-shetty-rukmini-vasanth-ajaneesh-loknath-hombale-films\/article70117072.ece\" target=\"_blank\" rel=\"noopener\"><strong data-start=\"150\" data-end=\"172\">Kantara: Chapter 1<\/strong><\/a>, the long-awaited prequel to the 2022 phenomenon <em data-start=\"222\" data-end=\"231\">Kantara<\/em>, promised that kind of visceral resonance \u2014 an origin story steeped in myth, folklore, and cosmic conflict. Now that it\u2019s in theatres, we\u2019ve glimpsed both its triumphs and its frailties. Let\u2019s dig into why this film might remake expectations \u2014 yet still risk being outshone by its own ambition.<\/p>\n<p data-start=\"534\" data-end=\"1025\">If I were handing out tickets based on excitement alone, <em data-start=\"591\" data-end=\"611\">Kantara: Chapter 1<\/em> would be booked solid. The buzz preceding its release was deafening. On X (Twitter), cinephiles already crowned Rishab Shetty \u201cmaster storyteller,\u201d applauded the world-building, and hyped a \u201cgoosebumps climax.\u201d Paid previews reportedly sold <strong data-start=\"891\" data-end=\"917\">over 1 million tickets<\/strong> before Day 1, and trailers alone stoked cultural pride and curiosity.<\/p>\n<p data-start=\"1027\" data-end=\"1255\">That said, cinema is cruel to hype. The film asks a lot from its audience: patience, suspension, belief in gods and curses, and trust that its mythos will pay off. On some counts, it does \u2014 magnificently so. On others \u2014 less so.<\/p>\n<h3 data-start=\"1262\" data-end=\"1315\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-56415 aligncenter\" src=\"https:\/\/dailynewsindia.co.in\/wp-content\/uploads\/2025\/10\/PNN-2025-10-02T144507672.jpg\" alt=\"Kantara\" width=\"1200\" height=\"675\"><\/h3>\n<h3 data-start=\"1262\" data-end=\"1315\">Weaving the Tale: What <em data-start=\"1288\" data-end=\"1308\">Kantara: Chapter 1<\/em> Offers<\/h3>\n<p data-start=\"1317\" data-end=\"2139\">Directed, written, and led by Rishab Shetty, <em data-start=\"1362\" data-end=\"1373\">Chapter 1<\/em> takes us back to the Kadamba era in coastal Karnataka, digging into the ancient roots of the <strong data-start=\"1467\" data-end=\"1481\">Bhuta Kola<\/strong> ritual, ancestral conflict over land and faith, and a hero\u2019s mythic journey. Shetty reprises the role of <strong data-start=\"1625\" data-end=\"1634\">Berme<\/strong>, embodying a fierce, haunted protagonist whose inner turmoil echoes across nature, divinity, and folklore.\u00a0Opposite him is <strong data-start=\"1796\" data-end=\"1815\">Rukmini Vasanth<\/strong> as <strong data-start=\"1819\" data-end=\"1834\">Kanakavathi<\/strong>, a royal figure whose ambitions, love, and political weight enrich the emotional axis of the film. <strong data-start=\"1972\" data-end=\"1983\">Jayaram<\/strong>, <strong data-start=\"1985\" data-end=\"2004\">Gulshan Devaiah<\/strong>, and others support, lending gravitas to shifting allegiances, betrayals, and cultural weight.<\/p>\n<p data-start=\"2141\" data-end=\"2689\">Visually and technically, the film is swathed in grandeur. <strong data-start=\"2200\" data-end=\"2221\">Arvind S. Kashyap<\/strong>\u2019s cinematography captures dense forests, misty rivers, rugged landscapes \u2014 landscapes that feel fated, not decorated. \u00a0<strong data-start=\"2378\" data-end=\"2401\">B. Ajaneesh Loknath<\/strong> immerses the narrative with a score that pulses with elemental energy. \u00a0The visual effects, especially in the ritualistic, supernatural sequences, make you lean forward, hoping the cinema frame never gives out.<\/p>\n<p data-start=\"2691\" data-end=\"3025\">The film\u2019s narrative pacing is uneven: the first half moves with foreboding elegance, building toward the interval with tension, portentous visuals, and hints of fate. After intermission, the scale increases \u2014 actions widen, stakes rise, mystical confrontations intensify. Some sequences sparkle; others strain under their own weight.<\/p>\n<h4 data-start=\"3032\" data-end=\"3079\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-56416 aligncenter\" src=\"https:\/\/dailynewsindia.co.in\/wp-content\/uploads\/2025\/10\/PNN-2025-10-02T144707407.jpg\" alt=\"Kantara\" width=\"1200\" height=\"675\"><\/h4>\n<h4 data-start=\"3032\" data-end=\"3079\">Where the Saga Soars \u2014 and Where It Stumbles<\/h4>\n<p data-start=\"3081\" data-end=\"3115\"><strong>Highlights That Conjure Wonder<\/strong><\/p>\n<ul data-start=\"3117\" data-end=\"4588\">\n<li data-start=\"3117\" data-end=\"3542\">\n<p data-start=\"3119\" data-end=\"3542\"><strong data-start=\"3119\" data-end=\"3157\">Climactic power &amp; emotional payoff<\/strong>: Many reviews, including India Today\u2019s, highlight how the film holds itself together best when it leans into full mythic tilt, especially in its last 30\u201340 minutes. \u00a0The \u201cGuliga scream\u201d \u2014 a terrifying motif from <em data-start=\"3407\" data-end=\"3416\">Kantara<\/em> \u2014 resurfaces, varied and terrifying, and feels evolutionary rather than repetitive.<\/p>\n<\/li>\n<li data-start=\"3543\" data-end=\"3977\">\n<p data-start=\"3545\" data-end=\"3977\"><strong data-start=\"3545\" data-end=\"3590\">Lead performances anchoring the spectacle<\/strong>: Shetty\u2019s Berme commands presence; his physicality, emotion, and internal fractures are palpable.\u00a0Rukmini Vasanth matches him, holding her role with dignity and layered agency. Jayaram and others bring depth, especially when resonance is needed in quieter moments.<\/p>\n<\/li>\n<li data-start=\"3978\" data-end=\"4218\">\n<p data-start=\"3980\" data-end=\"4218\"><strong data-start=\"3980\" data-end=\"4001\">Technical mastery<\/strong>: The film\u2019s immersive world owes much to its visual design, soundscape, and editing. Yes, it\u2019s loud. Yes, it\u2019s dramatic. But for the most part, those choices feel deliberate.<\/p>\n<\/li>\n<li data-start=\"4219\" data-end=\"4588\">\n<p data-start=\"4221\" data-end=\"4588\"><strong data-start=\"4221\" data-end=\"4247\">Word-of-mouth momentum<\/strong>: Early reviews are overwhelmingly positive; social feeds are ablaze with praise. Many viewers are calling it a spiritual, cinematic experience that demands the big screen.\u00a0North American premier shows reportedly crossed <strong data-start=\"4508\" data-end=\"4530\">half a million USD<\/strong> in collections.<\/p>\n<\/li>\n<\/ul>\n<p data-start=\"4590\" data-end=\"4621\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-56417 aligncenter\" src=\"https:\/\/dailynewsindia.co.in\/wp-content\/uploads\/2025\/10\/PNN-2025-10-02T144905711.jpg\" alt=\"Kantara\" width=\"1200\" height=\"675\"><\/p>\n<p data-start=\"4590\" data-end=\"4621\"><strong>Cracks in the Mythic Facade<\/strong><\/p>\n<ul data-start=\"4623\" data-end=\"6014\">\n<li data-start=\"4623\" data-end=\"5003\">\n<p data-start=\"4625\" data-end=\"5003\"><strong data-start=\"4625\" data-end=\"4662\">Draggy stretches &amp; pacing fatigue<\/strong>: While the first act earns you, there are moments mid-second half where the film lags. Scenes that dwell too long, narrative detours that feel more ornamental than necessary \u2014 these slow the momentum. Some critics noted that parts of the storyline feel \u201coverstuffed\u201d or too ambitious in exposition.<\/p>\n<\/li>\n<li data-start=\"5004\" data-end=\"5323\">\n<p data-start=\"5006\" data-end=\"5323\"><strong data-start=\"5006\" data-end=\"5027\">VFX inconsistency<\/strong>: When the film leans fully into visual spectacle, the results largely impress. But a few sequences betray limitations \u2014 compositing flaws, sketchy CGI edges \u2014 which momentarily break immersion. Critics flagged this as a minor but noticeable shortcoming.<\/p>\n<\/li>\n<li data-start=\"5324\" data-end=\"5627\">\n<p data-start=\"5326\" data-end=\"5627\"><strong data-start=\"5326\" data-end=\"5365\">Conversational and comedic missteps<\/strong>: Some dialogues or attempts at levity feel jarring against the somber, mythic tone. A few audience voices on social media suggest that comic relief doesn\u2019t always land, sometimes diluting tension rather than lifting it.<\/p>\n<\/li>\n<li data-start=\"5628\" data-end=\"6014\">\n<p data-start=\"5630\" data-end=\"6014\"><strong data-start=\"5630\" data-end=\"5649\">Overhype burden<\/strong>: The 2022 <a href=\"https:\/\/www.hindustantimes.com\/entertainment\/others\/kantara-chapter-1-review-and-release-live-updates-rishab-shetty-twitter-reactions-rukmini-vasanth-101759373978580.html\" target=\"_blank\" rel=\"noopener\"><em data-start=\"5660\" data-end=\"5669\">Kantara<\/em> <\/a>ambled into folklore-myth territory with freshness. Now, the expectations are colossal. Some voices warn that the film leans too heavily on legacy \u2014 that it expects emotional returns based on name brand alone. One particularly scathing reaction on social media called it \u201coverhyped, with poor writing.\u201d<\/p>\n<\/li>\n<\/ul>\n<p data-start=\"6016\" data-end=\"6457\">Also worth noting: in production, there\u2019s been controversy. The tragic death of a junior artist on set (MF Kapil, drowned in a river) had stirred calls for greater safety protocols. and earlier reports about a boat capsizing while filming were publicly denied by the team. These incidents shadow the glamour, reminding audiences of cinema\u2019s real risks behind art.<\/p>\n<h4 data-start=\"6464\" data-end=\"6499\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-56418 aligncenter\" src=\"https:\/\/dailynewsindia.co.in\/wp-content\/uploads\/2025\/10\/PNN-2025-10-02T145146454.jpg\" alt=\"Kantara\" width=\"1200\" height=\"675\"><\/h4>\n<h4 data-start=\"6464\" data-end=\"6499\">Box Office, Projections &amp; Stakes<\/h4>\n<ul data-start=\"6501\" data-end=\"7712\">\n<li data-start=\"6501\" data-end=\"6687\">\n<p data-start=\"6503\" data-end=\"6687\">As per <strong data-start=\"6510\" data-end=\"6521\">Sacnilk<\/strong>, <em data-start=\"6523\" data-end=\"6543\">Kantara: Chapter 1<\/em>\u2019s pre-sales rocketed to <strong data-start=\"6568\" data-end=\"6592\">\u20b919.44 crore (gross)<\/strong> \u2014 breaking into the top 10 advance bookings of 2025. <span class=\"\" data-state=\"closed\"><span class=\"ms-1 inline-flex max-w-full items-center relative top-[-0.094rem] animate-[show_150ms_ease-in]\" data-testid=\"webpage-citation-pill\"><a class=\"flex h-4.5 overflow-hidden rounded-xl px-2 text-[9px] font-medium transition-colors duration-150 ease-in-out text-token-text-secondary! bg-[#F4F4F4]! dark:bg-[#303030]!\" href=\"https:\/\/www.koimoi.com\/box-office\/kantara-chapter-1-box-office-day-1-advance-booking-final-rishab-shetty-starrer-clocks-6th-highest-pre-sales-of-2025\/?utm_source=chatgpt.com\" target=\"_blank\" rel=\"noopener\"><span class=\"relative start-0 bottom-0 flex h-full w-full items-center\"><span class=\"flex h-4 w-full items-center justify-between overflow-hidden\"><span class=\"max-w-[15ch] grow truncate overflow-hidden text-center\">Koimoi<\/span><\/span><\/span><\/a><\/span><\/span><\/p>\n<\/li>\n<li data-start=\"6688\" data-end=\"7007\">\n<p data-start=\"6690\" data-end=\"7007\">Early reports place Day 1 collection (India net) around <strong data-start=\"6746\" data-end=\"6761\">\u20b918.8 crore<\/strong> by afternoon. Some analytic estimates suggest the film might touch <strong data-start=\"6869\" data-end=\"6889\">\u20b930\u201340 crore net<\/strong>, propelled by Dussehra holiday footfalls and strong single-screen traction.<\/p>\n<\/li>\n<li data-start=\"7008\" data-end=\"7183\">\n<p data-start=\"7010\" data-end=\"7183\">Overseas, its premiere shows in North America surpassed <strong data-start=\"7066\" data-end=\"7080\">US$500,000<\/strong> \u2014 a promising marker for its pan-India and global ambitions.<\/p>\n<\/li>\n<li data-start=\"7184\" data-end=\"7491\">\n<p data-start=\"7186\" data-end=\"7491\">In trade commentary, <em data-start=\"7207\" data-end=\"7227\">Kantara: Chapter 1<\/em> is being positioned as one of 2025\u2019s last viable contenders for the <strong data-start=\"7296\" data-end=\"7317\">\u20b91,000 crore club<\/strong>. But even optimistic voices admit that\u2019s a tall order \u2014 especially given the early underwhelming advance booking in the Hindi belt.<\/p>\n<\/li>\n<li data-start=\"7492\" data-end=\"7712\">\n<p data-start=\"7494\" data-end=\"7712\">Its runtime is <strong><a href=\"https:\/\/www.indiatoday.in\/movies\/regional-cinema\/story\/kantara-chapter-1-rishab-shetty-pan-indian-film-2025-1000-crore-2795245-2025-09-30\" target=\"_blank\" rel=\"noopener\">168 minutes<\/a><\/strong> (a long haul for mainstream audiences). The certification is U\/A, which may slightly limit audience segments.<\/p>\n<\/li>\n<\/ul>\n<p data-start=\"7714\" data-end=\"7933\">So far, the film\u2019s theatrical gamble is paying off, especially in its core Kannada market and among cinephiles. But its long-term fortunes will pivot on sustained word-of-mouth, evening occupancy, and multilingual pull.<\/p>\n<h4 data-start=\"7940\" data-end=\"8003\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-56419 aligncenter\" src=\"https:\/\/dailynewsindia.co.in\/wp-content\/uploads\/2025\/10\/PNN-2025-10-02T145336068.jpg\" alt=\"Kantara\" width=\"1200\" height=\"675\"><\/h4>\n<h4 data-start=\"7940\" data-end=\"8003\">If I Had to Write the Press Note (Polished, Not Pretentious)<\/h4>\n<blockquote data-start=\"8005\" data-end=\"8600\">\n<p data-start=\"8007\" data-end=\"8600\"><em data-start=\"8007\" data-end=\"8027\">Kantara: Chapter 1<\/em> is not just a prequel \u2014 it\u2019s a metamorphosis. With Rishab Shetty at the helm, the film recasts mythology, folklore, and faith into a living, breathing world. The visual palette, soul-stirring score, and lead performances converge to deliver an epic rooted in emotion. Sure, the film strains at edges: pacing sag, VFX inconsistencies, occasional tonal misfires. But its wounds are minor compared to its majesty. With advance bookings already crossing \u20b919 crore and global previews making waves, <em data-start=\"8522\" data-end=\"8533\">Chapter 1<\/em> may well be the folklore resurgence Indian cinema needs this year.<\/p>\n<\/blockquote>\n<h4 data-start=\"8607\" data-end=\"8642\"><iframe loading=\"lazy\" title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/M2OnifMgvps?si=4pp2Du72gRbkv_8I\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/h4>\n<h4 data-start=\"8607\" data-end=\"8642\">Final Take: Should You Watch It?<\/h4>\n<p data-start=\"8644\" data-end=\"9001\">Yes \u2014 <a href=\"https:\/\/indianexpress.com\/article\/entertainment\/regional\/kantara-chapter-1-movie-review-rating-release-box-office-collection-live-updates-10282661\/\" target=\"_blank\" rel=\"noopener\"><em data-start=\"8650\" data-end=\"8670\">Kantara: Chapter 1<\/em><\/a> is <em data-start=\"8674\" data-end=\"8681\">worth<\/em> your theatre seat and your emotional investment. If you crave spectacle, myth, lush ambition, and a film that dares to make you believe in gods again, it delivers. But go in with tempered expectations: the journey is uneven, occasionally over-earnest, and asks that you surrender to its worldview more than question it.<\/p>\n<p data-start=\"9003\" data-end=\"9148\">On balance, I\u2019d rate it <strong data-start=\"9027\" data-end=\"9042\">4 \/ 5 stars<\/strong> \u2014 a film that hovers near greatness, stumbles just slightly, but dazzles often enough to redeem itself.<\/p>\n<p data-start=\"9150\" data-end=\"9329\">If it sustains box office momentum and avoids the \u201cwas great but I expected more\u201d whisper, it might be spoken of for years \u2014 a legacy extension worthy of the original <em data-start=\"9317\" data-end=\"9326\">Kantara<\/em>.<\/p>\n<p data-start=\"9150\" data-end=\"9329\"><strong><a href=\"https:\/\/pnndigital.com\/category\/entertainment\/\">PNN News<\/a><\/strong><\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Mumbai (Maharashtra) [India], October 2: Sometimes cinema doesn\u2019t just open; it breathes. Kantara: Chapter 1, the long-awaited prequel to the 2022 phenomenon Kantara, promised that kind of visceral resonance \u2014 an origin story steeped in myth, folklore, and cosmic conflict. Now that it\u2019s in theatres, we\u2019ve glimpsed both its triumphs and its frailties. Let\u2019s dig&#8230;<\/p>\n<p class=\"more-link-wrap\"><a href=\"https:\/\/dailynewsindia.co.in\/index.php\/2025\/10\/02\/kantara-chapter-1-a-majestic-return-with-legends-but-shadows-lurk-behind-the-light\/\" class=\"more-link\">Read More<span class=\"screen-reader-text\"> &ldquo;\u2018Kantara: Chapter 1\u2019 \u2014 A Majestic Return with Legends, but Shadows Lurk Behind the Light&rdquo;<\/span> &raquo;<\/a><\/p>\n","protected":false},"author":1,"featured_media":41906,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[6],"tags":[633],"class_list":["post-41905","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-entertainment","tag-entertainment"],"_links":{"self":[{"href":"https:\/\/dailynewsindia.co.in\/index.php\/wp-json\/wp\/v2\/posts\/41905","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailynewsindia.co.in\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/dailynewsindia.co.in\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/dailynewsindia.co.in\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/dailynewsindia.co.in\/index.php\/wp-json\/wp\/v2\/comments?post=41905"}],"version-history":[{"count":0,"href":"https:\/\/dailynewsindia.co.in\/index.php\/wp-json\/wp\/v2\/posts\/41905\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailynewsindia.co.in\/index.php\/wp-json\/wp\/v2\/media\/41906"}],"wp:attachment":[{"href":"https:\/\/dailynewsindia.co.in\/index.php\/wp-json\/wp\/v2\/media?parent=41905"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/dailynewsindia.co.in\/index.php\/wp-json\/wp\/v2\/categories?post=41905"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dailynewsindia.co.in\/index.php\/wp-json\/wp\/v2\/tags?post=41905"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}