{"id":42568,"date":"2025-10-18T17:51:23","date_gmt":"2025-10-18T12:21:23","guid":{"rendered":"https:\/\/dailynewsindia.co.in\/index.php\/2025\/10\/18\/ek-deewane-ki-deewaniyat-love-obsession-and-a-dash-of-censorship-drama\/"},"modified":"2025-10-18T17:51:23","modified_gmt":"2025-10-18T12:21:23","slug":"ek-deewane-ki-deewaniyat-love-obsession-and-a-dash-of-censorship-drama","status":"publish","type":"post","link":"https:\/\/dailynewsindia.co.in\/index.php\/2025\/10\/18\/ek-deewane-ki-deewaniyat-love-obsession-and-a-dash-of-censorship-drama\/","title":{"rendered":"\u2018Ek\u202fDeewane\u202fKi\u202fDeewaniyat\u2019 \u2013 Love, Obsession \u2026 and a Dash of Censorship Drama"},"content":{"rendered":"<div>\n<p data-start=\"103\" data-end=\"806\"><strong>Mumbai (Maharashtra) [India], October 17: <\/strong>In the glitzy pre-Diwali race to captivate audiences, the forthcoming film <em data-start=\"178\" data-end=\"204\">Ek Deewane Ki Deewaniyat<\/em> arrives with a heady mix of high emotion, big musings on love and obsession, and \u2014 ironically \u2014 a run into bureaucratic hurdles. On paper, the film appears to tick many boxes: a leading man in <span class=\"text-token-text-primary font-semibold\">Harshvardhan\u202fRane<\/span>, a rising actress in <span class=\"text-token-text-primary font-semibold\">Sonam\u202fBajwa<\/span>, a director with a flair for drama in <span class=\"text-token-text-primary font-semibold\">Milap\u202fZaveri<\/span>, and ambitious marketing that screams \u201cepic love story\u201d. Yet behind the promotional sheen lies a more complex narrative: one of creative ambition meeting regulatory constraint, of emotional intensity courting mass-market uncertainty.<\/p>\n<h4 data-start=\"813\" data-end=\"843\">The Movie: What to Expect<\/h4>\n<p data-start=\"844\" data-end=\"1240\"><a href=\"https:\/\/www.instagram.com\/reel\/DPWi74DCqdU\/\" target=\"_blank\" rel=\"noopener\"><em data-start=\"844\" data-end=\"870\">Ek Deewane Ki Deewaniyat<\/em><\/a> is billed as a romantic drama that explores the slippery slope from adoration to obsession. According to the film listings, \u201cLove. Obsession. Heartbreak\u2026\u201d are the tags attached. The teaser, released via media outlets, hammers the themes home: \u201cPYAR, DUKH aur NAFRAT\u201d (love, pain and hate).<\/p>\n<p data-start=\"1242\" data-end=\"1532\">Harshvardhan Rane plays Vikramaditya while Sonam Bajwa plays Adaa Randhawa (as per the Wikipedia listing). Beyond that, the ensemble includes Shaad Randhawa, among others. The runtime clocks in around 141 minutes.<\/p>\n<p data-start=\"1534\" data-end=\"1896\">Production details reveal that the film is directed and co-written by Milap Zaveri, with Mushtaq Sheikh as a contributing writer.\u00a0From press coverage, we know that Harshvardhan broke down during a dubbing session, indicating the film\u2019s emotional intensity is more than just marketing.<\/p>\n<p data-start=\"1898\" data-end=\"2080\">The release date is set for <strong data-start=\"1926\" data-end=\"1945\">21 October 2025<\/strong>, coinciding with Diwali \u2013 a slot that signals confidence but also invites heavy competition.<\/p>\n<h4 data-start=\"2087\" data-end=\"2117\"><img fetchpriority=\"high\" decoding=\"async\" class=\"aligncenter wp-image-58082 size-full\" src=\"https:\/\/dailynewsindia.co.in\/wp-content\/uploads\/2025\/10\/PNN-2025-10-18T172942299.jpg\" alt=\"Deewane\" width=\"1200\" height=\"675\"><\/h4>\n<h4 data-start=\"2087\" data-end=\"2117\">The Regulatory Side-Story<\/h4>\n<p data-start=\"2118\" data-end=\"2716\">Here\u2019s where our narrative pivots from \u201cjust another love drama\u201d to \u201clove drama meets censorship limbo\u201d. The film recently received its certificate from the <span class=\"text-token-text-primary font-semibold\">Central Board of <a href=\"https:\/\/www.youtube.com\/watch?v=Ej6BjRFRYks\" target=\"_blank\" rel=\"noopener\">Film<\/a> Certification<\/span> (CBFC) \u2014 but not without key modifications. According to multiple sources, the CBFC required the replacement of certain dialogues referring to the <span class=\"text-token-text-primary font-semibold\">Ramayana<\/span> and adjustments to character names \u2014 for example, the villain originally \u201cRavan\u201d was changed to \u201cMaal\u201d. \u00a0(Note: Inaccuracies may exist in sources, but the overview is clear.)<\/p>\n<p data-start=\"2718\" data-end=\"2989\">Media reports state that scenes and dialogues referencing mythological characters or religious texts were removed or altered. The news outlets framed this as the CBFC \u201cchopping\u201d certain content to accord with certification norms.<\/p>\n<p data-start=\"2991\" data-end=\"3233\">In short, the film did not sail smoothly into theaters \u2014 creative vision clashed with regulatory sensitivities, and the makers had to make edits. For a film that markets itself as raw and daring, this regulatory tangle adds a curious wrinkle.<\/p>\n<h4 data-start=\"3240\" data-end=\"3288\">The Positive Vibes (with PR-style flourish)<\/h4>\n<ul data-start=\"3289\" data-end=\"4511\">\n<li data-start=\"3289\" data-end=\"3657\">\n<p data-start=\"3291\" data-end=\"3657\"><strong data-start=\"3291\" data-end=\"3316\">High emotional stakes<\/strong>: With the lead actor visibly moved during dubbing, one senses the filmmakers are committed to delivering more than superficial romance. The promo suggests a tearful journey from love to pain. This could resonate with audiences looking for something deeper than a typical \u201cboy meets girl\u201d narrative.<\/p>\n<\/li>\n<li data-start=\"3658\" data-end=\"4026\">\n<p data-start=\"3660\" data-end=\"4026\"><strong data-start=\"3660\" data-end=\"3687\">Strong marketing moment<\/strong>: The teaser created buzz, the lead cast looks in the poster and digital materials are dramatic, and the Diwali release slot gives it premium positioning. The first look poster (released August 21) already triggered social discussion about the film\u2019s potential and its clash with other major releases.<\/p>\n<\/li>\n<li data-start=\"4027\" data-end=\"4281\">\n<p data-start=\"4029\" data-end=\"4281\"><strong data-start=\"4029\" data-end=\"4058\">Growing audience interest<\/strong>: On BookMyShow, the film has over 126K people marked \u201cInterested\u201d ahead of release<span class=\"\" data-state=\"closed\"><span class=\"ms-1 inline-flex max-w-full items-center relative top-[-0.094rem] animate-[show_150ms_ease-in]\" data-testid=\"webpage-citation-pill\">.<\/span><\/span> This kind of pre-booking interest is encouraging, signalling that audiences are at least curious.<\/p>\n<\/li>\n<li data-start=\"4282\" data-end=\"4511\">\n<p data-start=\"4284\" data-end=\"4511\"><strong data-start=\"4284\" data-end=\"4305\">Creative ambition<\/strong>: Director Milap Zaveri is not playing it safe \u2014 the thematic scope is big (\u201cobsession, heartbreak, love\u201d) and the marketing says so. For those craving a dramatic ride, this might be exactly what they seek.<\/p>\n<\/li>\n<\/ul>\n<h4 data-start=\"4518\" data-end=\"4566\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-58084 aligncenter\" src=\"https:\/\/dailynewsindia.co.in\/wp-content\/uploads\/2025\/10\/PNN-2025-10-18T173640278.jpg\" alt=\"Deewane\" width=\"1200\" height=\"675\"><\/h4>\n<h4 data-start=\"4518\" data-end=\"4566\">The Caveats (a little salt to the PR sugar)<\/h4>\n<ul data-start=\"4567\" data-end=\"5966\">\n<li data-start=\"4567\" data-end=\"4928\">\n<p data-start=\"4569\" data-end=\"4928\"><strong data-start=\"4569\" data-end=\"4608\">Censorship cuts may raise questions<\/strong>: The fact that the CBFC required changes to dialogues referencing epic mythology suggests the film perhaps strayed into territory that invited regulatory attention. From a viewer\u2019s standpoint, some narrative pieces may feel missing \u2014 if scenes had to be excised or altered post-production, that can affect pacing or logic.<\/p>\n<\/li>\n<li data-start=\"4929\" data-end=\"5172\">\n<p data-start=\"4931\" data-end=\"5172\"><strong data-start=\"4931\" data-end=\"4970\">Heavy competition in the release window<\/strong>: With the Diwali festival release slot comes major risk. As pointed out by audience commentary, going up against strong titles may hamper box-office potential.<\/p>\n<\/li>\n<li data-start=\"5173\" data-end=\"5518\">\n<p data-start=\"5175\" data-end=\"5518\"><strong data-start=\"5175\" data-end=\"5219\">Unclear budget and box office projection<\/strong>: At present, budget and box office figures are either unreported or ambiguous. For example, the listing on <em data-start=\"5327\" data-end=\"5340\">The Numbers<\/em> shows zero domestic\/overseas box office data. \u00a0This opacity makes it hard to gauge the film\u2019s financial stakes from a trade perspective.<\/p>\n<\/li>\n<li data-start=\"5519\" data-end=\"5966\">\n<p data-start=\"5521\" data-end=\"5770\"><strong data-start=\"5521\" data-end=\"5549\">Story may risk melodrama<\/strong>: From the teaser and marketing tone, the film appears to lean heavily into emotional extremes. While that can be powerful, there is a fine line between impactful and overdone. Some early commentary online is skeptical:<\/p>\n<blockquote data-start=\"5773\" data-end=\"5966\">\n<p data-start=\"5775\" data-end=\"5966\">\u201cMilap Zaveri ? It\u2019s gonna be a shit show. Also\u2026 Sonam doesn\u2019t look good here. Rane looks better.\u201d\u00a0<br data-start=\"5913\" data-end=\"5916\">That kind of audience cynicism could be telling.<\/p>\n<\/blockquote>\n<\/li>\n<\/ul>\n<h4 data-start=\"5973\" data-end=\"6000\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-58085 aligncenter\" src=\"https:\/\/dailynewsindia.co.in\/wp-content\/uploads\/2025\/10\/PNN-2025-10-18T173757315.jpg\" alt=\"Deewane\" width=\"1200\" height=\"675\"><\/h4>\n<h4 data-start=\"5973\" data-end=\"6000\">Latest Buzz &amp; Comments<\/h4>\n<ul data-start=\"6001\" data-end=\"7021\">\n<li data-start=\"6001\" data-end=\"6233\">\n<p data-start=\"6003\" data-end=\"6067\">A Reddit thread on the film\u2019s title elicited some harsh takes:<\/p>\n<blockquote data-start=\"6070\" data-end=\"6233\">\n<p data-start=\"6072\" data-end=\"6233\">\u201cWe trust the director for delivering complete crap in Hindi cinema.\u201d<br data-start=\"6181\" data-end=\"6184\">Ouch \u2014 but indicative of the challenge ahead.<\/p>\n<\/blockquote>\n<\/li>\n<li data-start=\"6234\" data-end=\"6545\">\n<p data-start=\"6236\" data-end=\"6545\">The production wrap-up was marked by a minor incident: Harshvardhan Rane and Sonam Bajwa allegedly witnessed a \u201cfreak accident\u201d (a big bunch of helium balloons burst during the wrap party) and posted about it, using the moment for a bit of social media storytelling.<\/p>\n<\/li>\n<li data-start=\"6546\" data-end=\"6746\">\n<p data-start=\"6548\" data-end=\"6746\">On the marketing front: A <a href=\"https:\/\/www.youtube.com\/watch?v=Qo4IOTAbGAM\" target=\"_blank\" rel=\"noopener\">song<\/a> from the film titled <em data-start=\"6600\" data-end=\"6642\">\u201cEk Deewane Ki Deewaniyat \u2013 Sad Version\u201d<\/em> is already out on YouTube, adding to the soundtrack momentum.<\/p>\n<\/li>\n<li data-start=\"6747\" data-end=\"6898\">\n<p data-start=\"6749\" data-end=\"6898\">Release &amp; availability: The film is listed on overseas circuits (e.g., VOX Cinemas in Oman) for October 21.<\/p>\n<\/li>\n<li data-start=\"6899\" data-end=\"7021\">\n<p data-start=\"6901\" data-end=\"7021\">Online pre-booking interest is solid. As noted earlier, BookMyShow shows strong \u201cinterested\u201d numbers ahead of release.<\/p>\n<\/li>\n<\/ul>\n<h4 data-start=\"7028\" data-end=\"7075\">The Financial Unknown &amp; Box Office Outlook<\/h4>\n<p data-start=\"7076\" data-end=\"7203\">Unfortunately, public trackers show no meaningful box-office or budget data yet for <em data-start=\"7160\" data-end=\"7186\">Ek Deewane Ki Deewaniyat<\/em>. For instance:<\/p>\n<ul data-start=\"7204\" data-end=\"7563\">\n<li data-start=\"7204\" data-end=\"7318\">\n<p data-start=\"7206\" data-end=\"7318\">Bollywood Hungama lists \u201cNo data to display\u201d for the India box office.<\/p>\n<\/li>\n<li data-start=\"7319\" data-end=\"7462\">\n<p data-start=\"7321\" data-end=\"7462\">The Numbers show zeros in domestic and international collections (likely because it\u2019s pre-release).<\/p>\n<\/li>\n<li data-start=\"7463\" data-end=\"7563\">\n<p data-start=\"7465\" data-end=\"7563\">Filmibeat lists the budget as \u201cTBA\u201d and the box office as \u201cTBA\u201d.<\/p>\n<\/li>\n<\/ul>\n<p data-start=\"7565\" data-end=\"7784\">So from the financial angle, it\u2019s uncertain \u2014 which is itself a risk for the producers. The Diwali slot suggests high expectations, but absent solid tracking data, we\u2019ll have to wait and see how it performs post-release.<\/p>\n<h4 data-start=\"7791\" data-end=\"7809\"><iframe loading=\"lazy\" title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/dGb3acfZp2k?si=R0nTErEMI80UlgnE\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/h4>\n<h4 data-start=\"7791\" data-end=\"7809\">In Conclusion<\/h4>\n<p data-start=\"7810\" data-end=\"8231\"><a href=\"https:\/\/www.instagram.com\/deewaniyat_\/\" target=\"_blank\" rel=\"noopener\"><em data-start=\"7810\" data-end=\"7836\">Ek Deewane Ki Deewaniyat<\/em><\/a> presents itself as an emotional, high-voltage romantic drama \u2014 one that promises to plunge into obsession, heartbreak and the aftermath of love gone awry. Its strengths lie in ambition, a marketable cast, and strong pre-release interest. On the flip side, the censorship hiccup, the crowded release window, and the uncertainty around financial metrics inject a measure of caution into the hype.<\/p>\n<p data-start=\"8233\" data-end=\"8581\">In PR speak: this film has the potential to be <em data-start=\"8280\" data-end=\"8285\">the<\/em> \u201cevent\u201d love story of the season \u2014 if it manages to navigate the obstacles and translate emotional intensity into audience connection. But one can\u2019t help noticing the cracks: some regulatory compromises, some online skepticism, and a release schedule that pits it against formidable competition.<\/p>\n<p data-start=\"8583\" data-end=\"8841\">If you\u2019re someone who enjoys romance with a darker edge, a bit of raw emotion and is willing to overlook \u201csafe and predictable\u201d, then this one could deliver. But if you expect a slick, mass-entertainer with broad appeal, you might find the ride a little uneven.<\/p>\n<p data-start=\"8583\" data-end=\"8841\"><a href=\"https:\/\/pnndigital.com\/category\/entertainment\/\" target=\"_blank\" rel=\"noopener\"><strong>PNN Entertainment<\/strong><\/a><\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Mumbai (Maharashtra) [India], October 17: In the glitzy pre-Diwali race to captivate audiences, the forthcoming film Ek Deewane Ki Deewaniyat arrives with a heady mix of high emotion, big musings on love and obsession, and \u2014 ironically \u2014 a run into bureaucratic hurdles. On paper, the film appears to tick many boxes: a leading man&#8230;<\/p>\n<p class=\"more-link-wrap\"><a href=\"https:\/\/dailynewsindia.co.in\/index.php\/2025\/10\/18\/ek-deewane-ki-deewaniyat-love-obsession-and-a-dash-of-censorship-drama\/\" class=\"more-link\">Read More<span class=\"screen-reader-text\"> &ldquo;\u2018Ek\u202fDeewane\u202fKi\u202fDeewaniyat\u2019 \u2013 Love, Obsession \u2026 and a Dash of Censorship Drama&rdquo;<\/span> &raquo;<\/a><\/p>\n","protected":false},"author":1,"featured_media":42569,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[6],"tags":[633],"class_list":["post-42568","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-entertainment","tag-entertainment"],"_links":{"self":[{"href":"https:\/\/dailynewsindia.co.in\/index.php\/wp-json\/wp\/v2\/posts\/42568","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailynewsindia.co.in\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/dailynewsindia.co.in\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/dailynewsindia.co.in\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/dailynewsindia.co.in\/index.php\/wp-json\/wp\/v2\/comments?post=42568"}],"version-history":[{"count":0,"href":"https:\/\/dailynewsindia.co.in\/index.php\/wp-json\/wp\/v2\/posts\/42568\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailynewsindia.co.in\/index.php\/wp-json\/wp\/v2\/media\/42569"}],"wp:attachment":[{"href":"https:\/\/dailynewsindia.co.in\/index.php\/wp-json\/wp\/v2\/media?parent=42568"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/dailynewsindia.co.in\/index.php\/wp-json\/wp\/v2\/categories?post=42568"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dailynewsindia.co.in\/index.php\/wp-json\/wp\/v2\/tags?post=42568"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}